Mélodies – Prescience, Conscience

Anne Le Bozec and Marc Maurillon play Halphen, Hahn, Debussy...

They were young and seemed assured of a brilliant future. They were Belgian (Devaere), German (Stephan, Jürgens), British (Butterworth, Farrar), Australian (Kelly) or French. On the eve of the conflict, in their songs and with an impressive sense of foreboding, they expressed at once nostalgia for a bygone era, wrestling with the eternal themes of oblivion and death, and the sorrows of their lives about to be upended. The survivors, striving to overcome bitterness and sadness, found the strength to sing forth the hope or peace they felt themselves to be regaining.


Learn more and order the CD

Share:
0:00
0:00

You may also like

Jewish music and cuisine

A musical and gastronomic conference by Hervé Roten, director of the European Institute of Jewish Music

Les enfants de l’espérance, a score by Graciane Finzi

This original score was composed for the YWAM-Copernic Talmud Torah Children's Choir, directed by conductor Mélanie Levy-Thiébaut. Graciane Finzi composed…

Cantata Shma Kolenu by Itaï Daniel, finally available on score!

The European Institute of Jewish Music publishes the Cantata Shma Kolenu, a major work by ltaï Daniel, for 4-part choir,…

Release of six new scores by Serge Kaufmann

The European Institute of Jewish Music publishes six new compositions by Serge Kaufmann, including Kaddish for solo cello and Parade…